…the celestial silence of the moon.

Bruce Davidson /American, b. 1933
East 100th Street, 1966-68
gelatin silver print
Howard Greenberg Gallery, STAFF PICKS VI

Bruce Davidson /American, b. 1933
East 100th Street, 1966-68
gelatin silver print

Howard Greenberg Gallery,  STAFF PICKS VI

(Source: 4eternal-life)

Harry Callahan /American, 1912 -1999
Chicago, c.1960
gelatin silver print; printed 1971
Howard Greenberg Gallery, STAFF PICKS VI

Harry Callahan /American, 1912 -1999
Chicago,  c.1960
gelatin silver print; printed 1971

Howard Greenberg Gallery,  STAFF PICKS VI

(Source: 4eternal-life)

Peter Sekaer /Danish-American, 1901-1950
Balcony, Royal Street, New Orleans
c.1936
gelatin silver print
Howard Greenberg Gallery, PETER SEKAER: AN UNTOLD STORY

Peter Sekaer /Danish-American, 1901-1950
Balcony, Royal Street, New Orleans
c.1936
gelatin silver print

Howard Greenberg Gallery,  PETER SEKAER: AN UNTOLD STORY

(Source: 4eternal-life)

Peter Sekaer /Danish-American, 1901-1950
Slum Porch, 904 W. 3rd St., Austin, Texas.
c.1938
gelatin silver print
source: AN UNTOLD STORY, Howard Greenberg Gallery

Peter Sekaer  /Danish-American, 1901-1950
Slum Porch, 904 W. 3rd St., Austin, Texas.
c.1938
gelatin silver print

source: AN UNTOLD STORY, Howard Greenberg Gallery 

(Source: 4eternal-life)

Fernand Nadal. Untitled (Through the Porthole, Ocean and Sky)
late 19th century
Media: Cyanotype
Dimensions: 110 x 155 mm (4 5/16 x 6 1/8 in.)
Object Type: Photograph
© Fine Arts Museums of San Francisco | www.famsf.org.

Fernand Nadal.Untitled  (Through the Porthole, Ocean and Sky)
late 19th century
Media: Cyanotype
Dimensions: 110 x 155 mm (4 5/16 x 6 1/8 in.)
Object Type:  Photograph

© Fine Arts Museums of San Francisco |  www.famsf.org.

(Source: 4eternal-life)

unavidamoderna:
“ Detalle de la fachada principal, Edificio sede de la Asociación de Industriales del Estado de México, av. Parque de Chapultepec 105 esq. Parque del Río Frío, El Parque, Naucalpan de Juárez, Estado de México, México 1969
Arq. Agustín...

unavidamoderna:

Detalle de la fachada principal, Edificio sede de la Asociación de Industriales del Estado de México, av. Parque de Chapultepec 105 esq. Parque del Río Frío, El Parque, Naucalpan de Juárez, Estado de México, México 1969

Arq. Agustín Hernández Navarro

Detail of the main facade, Headquarters building of the Association of Industries of the State of Mexico, av. Parque de Chapultepec 105, Naucalpan, Edo. Mexico, Mexico 1969

Paul Gauguin.
Le cheval blanc / The White Horse, 1898
oil on canvas, 140.5 x 92.0 cm
musée d'Orsay, Paris, France

Paul Gauguin
Le cheval blanc / The White Horse, 1898
oil on canvas, 140.5 x 92.0 cm

musée d'Orsay, Paris, France

(Source: 4eternal-life)

Paul Gauguin.  Van Gogh Painting Sunflowers, 1888
…Van Gogh had moved to Arles from Paris in order to establish what he called a “studio of the south”—a utopian place to live and collaborate with fellow painters while studying the surrounding...

Paul Gauguin. Van Gogh Painting Sunflowers, 1888

…Van Gogh had moved to Arles from Paris in order to establish what he called a “studio of the south”—a utopian place to live and collaborate with fellow painters while studying the surrounding countryside. Gauguin accepted Van Gogh’s enthusiastic invitation, swayed heavily by the promised financial support from his art dealer, Van Gogh’s older brother, Theo, that accompanied his consent. The ensuing collaboration, art historian Hollis Clayson has written, was “a fraught teaming up that from Gauguin’s perspective was more a shotgun marriage than a romance.” … https://www.artsy.net/article/inside-vincent-van-gogh-paul-gauguins-nine-turbulent-weeks-roommates

(Source: 4eternal-life)

Henri Rousseau (1844-1910)
La Charmeuse de serpents / The Snake Charmer, 1907
oil on canvas 169 × 189 cm
Paris, Musée d'Orsay
It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake...

Henri Rousseau (1844-1910)

La Charmeuse de serpents / The Snake Charmer, 1907

oil on canvas 169 × 189 cm

Paris, Musée d'Orsay 

It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
… Rousseau painted his “Jungles” drawing inspiration from popular imagery and the stories of the day, and so made a name for himself as the pioneer of the new exoticism… entry

(Source: 4eternal-life)

Play the game, but don’t believe in it – that much you owe yourself… Play the game, but raise the ante, my boy. Learn how it operates, learn how you operate.

Jack Bush (Canadian, 1909–1977)
Tight Sash, July 1963
oil on canvas, 108.6 × 176.5 cm
Collection of Elizabeth A. and Richard J. Currie
© The Globe and Mail
Bush was a member of the Toronto artist group Painters Eleven who banded together in 1954 to...

Jack Bush  (Canadian, 1909–1977)

Tight Sash, July 1963

oil on canvas, 108.6 × 176.5 cm

Collection of Elizabeth A. and Richard J. Currie

© The Globe and Mail

Bush  was a member of the Toronto artist group Painters Eleven who banded together in 1954 to promote abstract painting. Through this involvement he met the influential New York City art critic Clement Greenberg. Bush was encouraged by Greenberg to abandon his Abstract Expressionist style characterized by hovering amorphous shapes on the picture plane.

(Source: 4eternal-life)